Barbara Bentley
Want your mobile site ads free?
Upgrade to a premium mobile site to remove this ad
Ad Placeholder
PAGE UNDER CONSTRUCTION
Information on Writing and Publishing based on Barbara's experience.
Below the links Barbara shares her writing journey to illustrate the good, the bad and the ugly of writing and getting published.
WRITING YOUR STORY
Below the links Barbara shares her writing journey to illustrate the good, the bad and the ugly of writing and getting published.
BOOKS ON WRITING AND PUBLISHING
LINKS TO WRITING SITES
HOW DID BARBARA'S WRITING JOURNEY BEGIN?
I remember the exact day I decided to become a writer. It was in 1991. I sat in a hotel room in Indianapolis on a rainy summerSunday afternoon and tried to make sense out of what had happened to me. How had my life spiraled so far out of controlthat my husband of nine years sat in prison, convicted of trying to murder me. Then it came to me. I needed to share myexperience to help others. I needed to write a book. Little did I realize that my story was far from over. But I had taken the firststep - I had found my passion.
HOW DID BARBARA LEARN TO WRITE
How many times have you heard an unpublished, untrained writer say they're going to write a book, as if they could sit downwithout any training, and put the correct words on paper or computer screen. Oh, there might be the occasional natural talentthat could, but most aspiring authors trudge along the path to becoming published, and one of the first stops is to learn the craftof writing.
After I had found my passion, I used patience and persistence to reach my publication goal. I went to the library (remember this was before the convenience of the Internet) and found a newly published book "How to Write and Sell True Crime" by Gary Provost. I checked it out and devour edit. In a brave move, I wrote a proposal letter to the author, illustrating each point in his book with events from my story. I saidthat I worked full time and asked if he would be interested in co-authoring my book. Then I waited. Within a month Gary wroteback, saying his project list had him extended for the next couple of years and that he couldn't help me. He added the caveat that,based on my proposal, he felt I could write the book myself. Wow! Little did I know that two years later Gary and his wife Gailwould come back into my life.
Life got in the way for the next two years, but when I was finally able to go beyond myself I found the International Women'sWriting Guild on a Timepeace calendar. I attended their Summer Conference at Skidmore College in Saratoga Springs, New Yorkin 1993. What a fabulous experience to spend 10 days with 400 women interested in writing. I discovered my fairy tales anddabbled some on my story, but I did little beyond the conference.
The next year I went back to the summer conference and in a miraculous sequence of events, was put back in touch with Garyand Gail Provost who just happened to have a last minute cancellation for their Writer's Retreat Workshop, held at that time inBristol, Connecticut. In October 1994 I rolled up my sleeves and delved into the intense schedule and worked on the first scenefor my book in the chapter where I meet Homicide Detective Greg Smith. At the end of the conference Gary said he had neverseen anyone's writing improve as rapidly as mine during the ten days. Gail gave me a sparkling fairy wand at graduation (I still have it pinned to my cork board) and Gary agreed to mentor me. I attracted my first literary agent at the Writer's Retreat Workshop in 1994, but his interest fizzled before I had seriously startedwriting. Looking back, I can see that I wasn't ready and he had rightfully passed. Around this time I also queried for my fair ytales, but did not pick up any bites. In fact, one agency returned my manuscript minus the cover illustration. I was disillusionedand mad. But I didn't have that much time to commit to my writing. I was immersed in dealing with the psychopath andchanging the divorce law of California.When Gary suddenly passed away in May 1995 at the young age of 50, Gail jumped in and became my mentor, leading methrough the process of outlining. I scoured all my materials like calendars, organizers and family photographs to piece togethermy story and recorded events on note cards, which I then used to write scene cards (actually I used a table that I created inMicrosoft Word and most scenes filled at least one page of paper).
Continue the Journey
HOW DID BARBARA'S WRITING JOURNEY BEGIN?
I remember the exact day I decided to become a writer. It was in 1991. I sat in a hotel room in Indianapolis on a rainy summerSunday afternoon and tried to make sense out of what had happened to me. How had my life spiraled so far out of controlthat my husband of nine years sat in prison, convicted of trying to murder me. Then it came to me. I needed to share myexperience to help others. I needed to write a book. Little did I realize that my story was far from over. But I had taken the firststep - I had found my passion.
HOW DID BARBARA LEARN TO WRITE
How many times have you heard an unpublished, untrained writer say they're going to write a book, as if they could sit downwithout any training, and put the correct words on paper or computer screen. Oh, there might be the occasional natural talentthat could, but most aspiring authors trudge along the path to becoming published, and one of the first stops is to learn the craftof writing.
After I had found my passion, I used patience and persistence to reach my publication goal. I went to the library (remember this was before the convenience of the Internet) and found a newly published book "How to Write and Sell True Crime" by Gary Provost. I checked it out and devour edit. In a brave move, I wrote a proposal letter to the author, illustrating each point in his book with events from my story. I saidthat I worked full time and asked if he would be interested in co-authoring my book. Then I waited. Within a month Gary wroteback, saying his project list had him extended for the next couple of years and that he couldn't help me. He added the caveat that,based on my proposal, he felt I could write the book myself. Wow! Little did I know that two years later Gary and his wife Gailwould come back into my life.
Life got in the way for the next two years, but when I was finally able to go beyond myself I found the International Women'sWriting Guild on a Timepeace calendar. I attended their Summer Conference at Skidmore College in Saratoga Springs, New Yorkin 1993. What a fabulous experience to spend 10 days with 400 women interested in writing. I discovered my fairy tales anddabbled some on my story, but I did little beyond the conference.
The next year I went back to the summer conference and in a miraculous sequence of events, was put back in touch with Garyand Gail Provost who just happened to have a last minute cancellation for their Writer's Retreat Workshop, held at that time inBristol, Connecticut. In October 1994 I rolled up my sleeves and delved into the intense schedule and worked on the first scenefor my book in the chapter where I meet Homicide Detective Greg Smith. At the end of the conference Gary said he had neverseen anyone's writing improve as rapidly as mine during the ten days. Gail gave me a sparkling fairy wand at graduation (I still have it pinned to my cork board) and Gary agreed to mentor me. I attracted my first literary agent at the Writer's Retreat Workshop in 1994, but his interest fizzled before I had seriously startedwriting. Looking back, I can see that I wasn't ready and he had rightfully passed. Around this time I also queried for my fair ytales, but did not pick up any bites. In fact, one agency returned my manuscript minus the cover illustration. I was disillusionedand mad. But I didn't have that much time to commit to my writing. I was immersed in dealing with the psychopath andchanging the divorce law of California.When Gary suddenly passed away in May 1995 at the young age of 50, Gail jumped in and became my mentor, leading methrough the process of outlining. I scoured all my materials like calendars, organizers and family photographs to piece togethermy story and recorded events on note cards, which I then used to write scene cards (actually I used a table that I created inMicrosoft Word and most scenes filled at least one page of paper).
Continue the Journey
Writers Retreat WorkshopBristol, Connecticut
